Interior of an etruscan tomb in the necropolis of Tarquinia, Italy
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Various patterns of antiquity: 1-5 Assyrian: 1) Nimrud; 2) Nineveh; 3 - 5) Dur Šarrukin (Khorsabad). 6 - 15 Egyptian: 6) Ornament of a mummy coffin; 7) Bell-shaped capital; 8) Bud capital; 9 - 10) Textile ornaments; 11) Quiver ornament; 12) Painted stick; 13 - 15) Pottery. 16-17: Ceramic shards from Troy. 18 - 19: Cypriot clay pots. 20 - 39 Greek: 20 - 21) Ceramic shards from Mycenae; 22) Architectural ornament (Mycenae); 23) Cornice (Olympia); 24) Antefix (Olympia); 25 - 29) Meander ornaments of vases; 30 - 31) Leaf and plant ornaments; 32 - 34) Palmette ornaments of vases; 35 - 36) Ceiling of the Theseus temple (Athens); 37) Doric capital (Parthenon); 38 - 39) Wall painting. 40 - 43 Etruscan: 40) Stucco painting; 41 - 42) Wall painting; 43) Antefix. 44 - 54 Roman: 44 + 49) Wall painting; 45 - 46) Mosaic; 47) Stucco painting; 48) Pompeian wall painting; 50 - 52) Pompeian frieze painting; 53) Painted relief from Pompeii; 54) Wall painting of a dining room in Pompeii. Chromolithograph, published in 1897.
Historical rings: 1+3) Ancient Egyptian glazed clay ring; 2) Golden ring of an ethiopian queen (Roman Empire); 4) Greek bronze ring (8th century BC); 5) Gold ring from Mycenae (12th - 15th centur BC); 6) Gold ring with cut sardonyx (Rome, early imperial period); 7) Ancient Egyptian signet ring with rotatable seal; 8) Greek gold ring (6th century BC); 9) Gilded bronze ring (Roman Empire); 10) Greek ring (4th century BC); 11) Greek gold ring (prosperity period); 12-12a) Roman ring with cameo (during emperor Augustus); 13-15) Etruscan gold rings (5th to 6th century BC); 16) Indian Mirror Ring for women (Bronze); 17) Signet ring of an Indian Brahmin (gold); 18) Anglo-Saxon engagement ring; 19) English amulet ring (15th century); 20) Ring of Henry Stuart, Lord Darnley (Scotland); 21) Ring of Frederick the Great (Prussia); 22-23) Wedding rings of Martin Luther and Katharina von Bora; 24) Ring of Charles I of England. Wood engravings, published in 1897.
Historical jewelry: 1) Ancient Egyptian necklace; 2) Ancient Egyptian earring; 3) Ancient fibula; 4) Italian hat agraffe (15th century); 5) Romanesque cross in the Monza Cathedral; 6) Coat clasp (13th century); 7) Indian earring; 8) Moorish eardrops; 9) Part of a Bulgarian necklace; 10) Antique finger ring; 11-12) Etruscan necklace; 13) Italian hat agraffe (14th century); 14) Franconian fibula; 15) Part of a women's belt (14th century); 16) Belt lock (renaissance); 17) Arabic bracelet; 18) Antique needle; 19) Fibula of Tuttingen (5th century); 20) Necklace (Hiddensee, 10th century); 21) Signet (17th century); 22) Ring from the time of Henry II of France; 23) Indian necklace ; 24) Oriental eardrops; 25) Part of a Norwegian necklace; 26) Dutch piece of jewelry; 27) Pendant, designd by Hans Holbein the Younger; 28) Brooch (renaissance); 29) Brooch (18th century); 30) Pendant, designd by Du Cerceau (France); 31) Oriental eardrops; 32) Dutch belt lock; 33) key hook board (17th century); 34) Part of a chain (17th century); 35) Brooch (18th century); 36) Part of a chain (17th century); 37) Part of a chain (18th century); 38) Eardrops (18th century). Wood engravings, published in 1897.
Engraved gems and cameos: 1) Ancient indian gem (700 - 900 AD); 2) Priest and King guarded by two lions - Babylonian-Persian cylinder gem; 3) Five out of seven against thebes (Oedipus Trilogy) - Etruscan gem; 4) Greek cameo of Athenion (Greek mythology); 5) Horse with Egyptian winged sun disk - Ancient Greek cylinder gem; 6) Animal sacrifice ritual - Assyrian cylinder gem; 7) Persian gem; 8) Abraxas gem; 9) Thanatos and Semele - Etruscan glass flux; 10) Egyptian cameo; 11) Athena - Greek gem by Aspasios (1st century BC); 12) Flat base of an Egyptian scarab amulet with the inscription Thutmose III; 13) Zeus after the victory over the giant - Ancient Greek cameo; 14) The death of the holy martyr (Diocletian era) - Roman-Early Christian gem; 15) Cameo Gonzaga (3rd century BC); 16) Egyptian gem; 17) Great Cameo of France (1st century AD); 18) Seal of Michelangelo; 19) Ancient cameo (Berlin, Germany); 20) Alaric I - Gothic gem; 21) Two nymphs crown a Pan figure - Gem by Giovanni Pichler (1734 - 1791); 22) Gem from Cerbara (Piagge, Italy); 23) Gem of Pericles, engraved by N. Marchant (? - 1812); 24) Gem of François I and the battle of Marignan, attributed to Matteo Dal Nassaro (around 1515); 25) Italian gem of a lion (16th century); 26) Saint George - Byzantine gem; 27) Thetis watching as Hephaestus makes armor for Achilles (Greek Mytholog), engraved gem by Alexander Calandrelli (1834 - 1903); 28) 29) Gem of Homer, engraved by Giovanni Pichler (1734 - 1791); 30) Shell cameo of Hendrick Goltzius and Henry (IV) the Great, engraved by Julien de Fontenay, named Coldoré (ca. 1540 - 1610); 31) Gem of Apollo, engraved by Jacques Guay (1711 - 1793); 32) Gem of Amor und Satyr, engraved by William Brown; 33) Minerva - Gem, engraved by Roman-Vincent Jeuffroy (1749 - 1826). Wood engravings, published in 1897.