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Steps of the Ziggurat of Ur, Iraq Ziggurat of Ur is a Neo-Sumerian ziggurat on the site of the ancient city of Ur near Nasiriyah, in present-day Dhi Qar Province, Iraq. The structure was built during the Early Bronze Age but had crumbled to ruins by the 6th century BC of the Neo-Babylonian period, when it was restored by King Nabonidus. mesopotamian stock pictures, royalty-free photos & images
Steps of the Ziggurat of Ur, Iraq Ziggurat of Ur is a Neo-Sumerian ziggurat on the site of the ancient city of Ur near Nasiriyah, in present-day Dhi Qar Province, Iraq. The structure was built during the Early Bronze Age but had crumbled to ruins by the 6th century BC of the Neo-Babylonian period, when it was restored by King Nabonidus. mesopotamian stock pictures, royalty-free photos & images

Ziggurat of Ur is a Neo-Sumerian ziggurat on the site of the ancient city of Ur near Nasiriyah, in present-day Dhi Qar Province, Iraq. The structure was built during the Early Bronze Age but had crumbled to ruins by the 6th century BC of the Neo-Babylonian period, when it was restored by King Nabonidus.

Assyrian portal of city Khorsabad human-headed winged bull Assyrian portal of city Khorsabad ( Ninive ) - Dur-Sharrukin ( Fortress of Sargon ), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria.A human-headed winged bull known as a lamassu - ( Sumerian protective deity )Original edition from my own archivesSource : Correo de Ultramar 1874 mesopotamian stock illustrations
Assyrian portal of city Khorsabad human-headed winged bull Assyrian portal of city Khorsabad ( Ninive ) - Dur-Sharrukin ( Fortress of Sargon ), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria.A human-headed winged bull known as a lamassu - ( Sumerian protective deity )Original edition from my own archivesSource : Correo de Ultramar 1874 mesopotamian stock illustrations

Assyrian portal of city Khorsabad ( Ninive ) - Dur-Sharrukin ( Fortress of Sargon ), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria.A human-headed winged bull known as a lamassu - ( Sumerian protective deity )Original edition from my own archivesSource : Correo de Ultramar 1874

Babylonian Lion "Ancient glazed ceramic tiles from the gates of ancient Babylon (Iraq) depict a lion (604- 562 BC) The Lion is the symbol of Babylon, and represents Ishtar, the goddess of fertility, love and war. Meant not only to symbolise Babylon, but to instill fear in enemies, it seems fitting that a single stone lion, albeit poorly preserved, is the only true remainder of Babylon that stands in Iraq today. Some 120 lions were created in polychromed relief tiles for the processional way towards the northern entrance to Babylon, the Gate of Ishtar, as well as Nebuchadnezzar's Throne Room. Several museum around the world are in posession of these poly chrome lions." mesopotamian stock pictures, royalty-free photos & images
Babylonian Lion "Ancient glazed ceramic tiles from the gates of ancient Babylon (Iraq) depict a lion (604- 562 BC) The Lion is the symbol of Babylon, and represents Ishtar, the goddess of fertility, love and war. Meant not only to symbolise Babylon, but to instill fear in enemies, it seems fitting that a single stone lion, albeit poorly preserved, is the only true remainder of Babylon that stands in Iraq today. Some 120 lions were created in polychromed relief tiles for the processional way towards the northern entrance to Babylon, the Gate of Ishtar, as well as Nebuchadnezzar's Throne Room. Several museum around the world are in posession of these poly chrome lions." mesopotamian stock pictures, royalty-free photos & images

"Ancient glazed ceramic tiles from the gates of ancient Babylon (Iraq) depict a lion (604- 562 BC) The Lion is the symbol of Babylon, and represents Ishtar, the goddess of fertility, love and war. Meant not only to symbolise Babylon, but to instill fear in enemies, it seems fitting that a single stone lion, albeit poorly preserved, is the only true remainder of Babylon that stands in Iraq today. Some 120 lions were created in polychromed relief tiles for the processional way towards the northern entrance to Babylon, the Gate of Ishtar, as well as Nebuchadnezzar's Throne Room. Several museum around the world are in posession of these poly chrome lions."

Assyrian king Sennacherib 700BC Sennacherib meaning "Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705 BC to his own death in 681 BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the role he plays in the Hebrew Bible, which describes his campaign in the Levant.
Original edition from my own archives
Source : Bilder-Atlas - Ikonographische Encyklopädie 1870 mesopotamian stock illustrations
Assyrian king Sennacherib 700BC Sennacherib meaning "Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705 BC to his own death in 681 BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the role he plays in the Hebrew Bible, which describes his campaign in the Levant. Original edition from my own archives Source : Bilder-Atlas - Ikonographische Encyklopädie 1870 mesopotamian stock illustrations

Sennacherib meaning "Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705 BC to his own death in 681 BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the role he plays in the Hebrew Bible, which describes his campaign in the Levant. Original edition from my own archives Source : Bilder-Atlas - Ikonographische Encyklopädie 1870

Various patterns of Antiquity, chromolithograph, published in 1897 Various patterns of antiquity: 1-5 Assyrian: 1) Nimrud; 2) Nineveh; 3 - 5) Dur Šarrukin (Khorsabad). 6 - 15 Egyptian: 6) Ornament of a mummy coffin; 7) Bell-shaped capital; 8) Bud capital; 9 - 10) Textile ornaments; 11) Quiver ornament; 12) Painted stick; 13 - 15) Pottery. 16-17: Ceramic shards from Troy. 18 - 19: Cypriot clay pots. 20 - 39 Greek: 20 - 21) Ceramic shards from Mycenae; 22) Architectural ornament (Mycenae); 23) Cornice (Olympia); 24) Antefix (Olympia); 25 - 29) Meander ornaments of vases; 30 - 31) Leaf and plant ornaments; 32 - 34) Palmette ornaments of vases; 35 - 36) Ceiling of the Theseus temple (Athens); 37) Doric capital (Parthenon); 38 - 39) Wall painting. 40 - 43 Etruscan: 40) Stucco painting; 41 - 42) Wall painting; 43) Antefix. 44 - 54 Roman: 44 + 49) Wall painting; 45 - 46) Mosaic; 47) Stucco painting; 48) Pompeian wall painting; 50 - 52) Pompeian frieze painting; 53) Painted relief from Pompeii; 54) Wall painting of a dining room in Pompeii. Chromolithograph, published in 1897. mesopotamian stock illustrations
Various patterns of Antiquity, chromolithograph, published in 1897 Various patterns of antiquity: 1-5 Assyrian: 1) Nimrud; 2) Nineveh; 3 - 5) Dur Šarrukin (Khorsabad). 6 - 15 Egyptian: 6) Ornament of a mummy coffin; 7) Bell-shaped capital; 8) Bud capital; 9 - 10) Textile ornaments; 11) Quiver ornament; 12) Painted stick; 13 - 15) Pottery. 16-17: Ceramic shards from Troy. 18 - 19: Cypriot clay pots. 20 - 39 Greek: 20 - 21) Ceramic shards from Mycenae; 22) Architectural ornament (Mycenae); 23) Cornice (Olympia); 24) Antefix (Olympia); 25 - 29) Meander ornaments of vases; 30 - 31) Leaf and plant ornaments; 32 - 34) Palmette ornaments of vases; 35 - 36) Ceiling of the Theseus temple (Athens); 37) Doric capital (Parthenon); 38 - 39) Wall painting. 40 - 43 Etruscan: 40) Stucco painting; 41 - 42) Wall painting; 43) Antefix. 44 - 54 Roman: 44 + 49) Wall painting; 45 - 46) Mosaic; 47) Stucco painting; 48) Pompeian wall painting; 50 - 52) Pompeian frieze painting; 53) Painted relief from Pompeii; 54) Wall painting of a dining room in Pompeii. Chromolithograph, published in 1897. mesopotamian stock illustrations

Various patterns of antiquity: 1-5 Assyrian: 1) Nimrud; 2) Nineveh; 3 - 5) Dur Šarrukin (Khorsabad). 6 - 15 Egyptian: 6) Ornament of a mummy coffin; 7) Bell-shaped capital; 8) Bud capital; 9 - 10) Textile ornaments; 11) Quiver ornament; 12) Painted stick; 13 - 15) Pottery. 16-17: Ceramic shards from Troy. 18 - 19: Cypriot clay pots. 20 - 39 Greek: 20 - 21) Ceramic shards from Mycenae; 22) Architectural ornament (Mycenae); 23) Cornice (Olympia); 24) Antefix (Olympia); 25 - 29) Meander ornaments of vases; 30 - 31) Leaf and plant ornaments; 32 - 34) Palmette ornaments of vases; 35 - 36) Ceiling of the Theseus temple (Athens); 37) Doric capital (Parthenon); 38 - 39) Wall painting. 40 - 43 Etruscan: 40) Stucco painting; 41 - 42) Wall painting; 43) Antefix. 44 - 54 Roman: 44 + 49) Wall painting; 45 - 46) Mosaic; 47) Stucco painting; 48) Pompeian wall painting; 50 - 52) Pompeian frieze painting; 53) Painted relief from Pompeii; 54) Wall painting of a dining room in Pompeii. Chromolithograph, published in 1897.

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