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Portrait of Jane Austen (1775–1817) A vintage portrait depicts Jane Austen, the beloved English novelist whose sharp wit and keen social commentary made her one of the most enduring voices in literature. Born in 1775 in Steventon, England, Austen captured the complexities of class, manners, and romance in the Georgian era through timeless novels such as Pride and Prejudice, Sense and Sensibility, and Emma. Her works continue to charm readers with their humor, insight, and vivid portrayal of 19th-century life. Austen died in 1817 in Winchester, leaving a literary legacy that shaped modern fiction and remains celebrated worldwide. british-stereotype stock illustrations
Portrait of Jane Austen (1775–1817) A vintage portrait depicts Jane Austen, the beloved English novelist whose sharp wit and keen social commentary made her one of the most enduring voices in literature. Born in 1775 in Steventon, England, Austen captured the complexities of class, manners, and romance in the Georgian era through timeless novels such as Pride and Prejudice, Sense and Sensibility, and Emma. Her works continue to charm readers with their humor, insight, and vivid portrayal of 19th-century life. Austen died in 1817 in Winchester, leaving a literary legacy that shaped modern fiction and remains celebrated worldwide. british-stereotype stock illustrations

A vintage portrait depicts Jane Austen, the beloved English novelist whose sharp wit and keen social commentary made her one of the most enduring voices in literature. Born in 1775 in Steventon, England, Austen captured the complexities of class, manners, and romance in the Georgian era through timeless novels such as Pride and Prejudice, Sense and Sensibility, and Emma. Her works continue to charm readers with their humor, insight, and vivid portrayal of 19th-century life. Austen died in 1817 in Winchester, leaving a literary legacy that shaped modern fiction and remains celebrated worldwide.

Cook in a Victorian kitchen A female cook preparing a fish in a Victorian kitchen. From “Stories For The Household” by Hans Christian Andersen. Illustrations by A.W. Bayes; engravings by Dalziel brothers. Published by George Routledge & Sons Ltd of London, Glasgow, Manchester and New York in 1891. british-stereotype stock illustrations
Cook in a Victorian kitchen A female cook preparing a fish in a Victorian kitchen. From “Stories For The Household” by Hans Christian Andersen. Illustrations by A.W. Bayes; engravings by Dalziel brothers. Published by George Routledge & Sons Ltd of London, Glasgow, Manchester and New York in 1891. british-stereotype stock illustrations

A female cook preparing a fish in a Victorian kitchen. From “Stories For The Household” by Hans Christian Andersen. Illustrations by A.W. Bayes; engravings by Dalziel brothers. Published by George Routledge & Sons Ltd of London, Glasgow, Manchester and New York in 1891.

Works of William Shakespeare - Falstaff and his friends Vintage engraving of a scene from the works of William Shakespeare. Falstaff and his friends from The Merry Wives of Windsor. The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602. Nominally set in the reign of Henry IV, the play makes no pretence to exist outside contemporary Elizabethan era English middle class life. Steel engraving, 1870 british-stereotype stock illustrations
Works of William Shakespeare - Falstaff and his friends Vintage engraving of a scene from the works of William Shakespeare. Falstaff and his friends from The Merry Wives of Windsor. The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602. Nominally set in the reign of Henry IV, the play makes no pretence to exist outside contemporary Elizabethan era English middle class life. Steel engraving, 1870 british-stereotype stock illustrations

Vintage engraving of a scene from the works of William Shakespeare. Falstaff and his friends from The Merry Wives of Windsor. The Merry Wives of Windsor is a comedy by William Shakespeare, first published in 1602. Nominally set in the reign of Henry IV, the play makes no pretence to exist outside contemporary Elizabethan era English middle class life. Steel engraving, 1870

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