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Various patterns of Antiquity, chromolithograph, published in 1897 Various patterns of antiquity: 1-5 Assyrian: 1) Nimrud; 2) Nineveh; 3 - 5) Dur Šarrukin (Khorsabad). 6 - 15 Egyptian: 6) Ornament of a mummy coffin; 7) Bell-shaped capital; 8) Bud capital; 9 - 10) Textile ornaments; 11) Quiver ornament; 12) Painted stick; 13 - 15) Pottery. 16-17: Ceramic shards from Troy. 18 - 19: Cypriot clay pots. 20 - 39 Greek: 20 - 21) Ceramic shards from Mycenae; 22) Architectural ornament (Mycenae); 23) Cornice (Olympia); 24) Antefix (Olympia); 25 - 29) Meander ornaments of vases; 30 - 31) Leaf and plant ornaments; 32 - 34) Palmette ornaments of vases; 35 - 36) Ceiling of the Theseus temple (Athens); 37) Doric capital (Parthenon); 38 - 39) Wall painting. 40 - 43 Etruscan: 40) Stucco painting; 41 - 42) Wall painting; 43) Antefix. 44 - 54 Roman: 44 + 49) Wall painting; 45 - 46) Mosaic; 47) Stucco painting; 48) Pompeian wall painting; 50 - 52) Pompeian frieze painting; 53) Painted relief from Pompeii; 54) Wall painting of a dining room in Pompeii. Chromolithograph, published in 1897. drawing of a mesopotamia stock illustrations
Various patterns of Antiquity, chromolithograph, published in 1897 Various patterns of antiquity: 1-5 Assyrian: 1) Nimrud; 2) Nineveh; 3 - 5) Dur Šarrukin (Khorsabad). 6 - 15 Egyptian: 6) Ornament of a mummy coffin; 7) Bell-shaped capital; 8) Bud capital; 9 - 10) Textile ornaments; 11) Quiver ornament; 12) Painted stick; 13 - 15) Pottery. 16-17: Ceramic shards from Troy. 18 - 19: Cypriot clay pots. 20 - 39 Greek: 20 - 21) Ceramic shards from Mycenae; 22) Architectural ornament (Mycenae); 23) Cornice (Olympia); 24) Antefix (Olympia); 25 - 29) Meander ornaments of vases; 30 - 31) Leaf and plant ornaments; 32 - 34) Palmette ornaments of vases; 35 - 36) Ceiling of the Theseus temple (Athens); 37) Doric capital (Parthenon); 38 - 39) Wall painting. 40 - 43 Etruscan: 40) Stucco painting; 41 - 42) Wall painting; 43) Antefix. 44 - 54 Roman: 44 + 49) Wall painting; 45 - 46) Mosaic; 47) Stucco painting; 48) Pompeian wall painting; 50 - 52) Pompeian frieze painting; 53) Painted relief from Pompeii; 54) Wall painting of a dining room in Pompeii. Chromolithograph, published in 1897. drawing of a mesopotamia stock illustrations

Various patterns of antiquity: 1-5 Assyrian: 1) Nimrud; 2) Nineveh; 3 - 5) Dur Šarrukin (Khorsabad). 6 - 15 Egyptian: 6) Ornament of a mummy coffin; 7) Bell-shaped capital; 8) Bud capital; 9 - 10) Textile ornaments; 11) Quiver ornament; 12) Painted stick; 13 - 15) Pottery. 16-17: Ceramic shards from Troy. 18 - 19: Cypriot clay pots. 20 - 39 Greek: 20 - 21) Ceramic shards from Mycenae; 22) Architectural ornament (Mycenae); 23) Cornice (Olympia); 24) Antefix (Olympia); 25 - 29) Meander ornaments of vases; 30 - 31) Leaf and plant ornaments; 32 - 34) Palmette ornaments of vases; 35 - 36) Ceiling of the Theseus temple (Athens); 37) Doric capital (Parthenon); 38 - 39) Wall painting. 40 - 43 Etruscan: 40) Stucco painting; 41 - 42) Wall painting; 43) Antefix. 44 - 54 Roman: 44 + 49) Wall painting; 45 - 46) Mosaic; 47) Stucco painting; 48) Pompeian wall painting; 50 - 52) Pompeian frieze painting; 53) Painted relief from Pompeii; 54) Wall painting of a dining room in Pompeii. Chromolithograph, published in 1897.

Assyrian king Sennacherib 700BC Sennacherib meaning "Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705 BC to his own death in 681 BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the role he plays in the Hebrew Bible, which describes his campaign in the Levant.
Original edition from my own archives
Source : Bilder-Atlas - Ikonographische Encyklopädie 1870 drawing of a mesopotamia stock illustrations
Assyrian king Sennacherib 700BC Sennacherib meaning "Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705 BC to his own death in 681 BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the role he plays in the Hebrew Bible, which describes his campaign in the Levant. Original edition from my own archives Source : Bilder-Atlas - Ikonographische Encyklopädie 1870 drawing of a mesopotamia stock illustrations

Sennacherib meaning "Sîn has replaced the brothers") was the king of the Neo-Assyrian Empire from the death of his father Sargon II in 705 BC to his own death in 681 BC. The second king of the Sargonid dynasty, Sennacherib is one of the most famous Assyrian kings for the role he plays in the Hebrew Bible, which describes his campaign in the Levant. Original edition from my own archives Source : Bilder-Atlas - Ikonographische Encyklopädie 1870

Mosul city in northern Iraq 1861 Mosul is a major city in northern Iraq. Located approximately 400 km (250 mi) north of Baghdad, and 170 km southeast of the city of Cizre in Turkey, Mosul stands on the west bank of the Tigris, opposite the ancient Assyrian city of Nineveh on the east bank.Original edition from my own archivesSource : Tour du monde 1861Drawing : M.E. Flandin - C. Maurand drawing of a mesopotamia stock illustrations
Mosul city in northern Iraq 1861 Mosul is a major city in northern Iraq. Located approximately 400 km (250 mi) north of Baghdad, and 170 km southeast of the city of Cizre in Turkey, Mosul stands on the west bank of the Tigris, opposite the ancient Assyrian city of Nineveh on the east bank.Original edition from my own archivesSource : Tour du monde 1861Drawing : M.E. Flandin - C. Maurand drawing of a mesopotamia stock illustrations

Mosul is a major city in northern Iraq. Located approximately 400 km (250 mi) north of Baghdad, and 170 km southeast of the city of Cizre in Turkey, Mosul stands on the west bank of the Tigris, opposite the ancient Assyrian city of Nineveh on the east bank.Original edition from my own archivesSource : Tour du monde 1861Drawing : M.E. Flandin - C. Maurand

Israeli Ethnicity hebrew people in ancient times People of Hebrew on the left - old jewish carriageThe modern English word "Hebrew" is derived from Old French Ebrau, via Latin from the Greek and Aramaic all ultimately derived from Biblical Hebrew Ivri one of several names for the Israelite ( Jewish and Samaritan ) people ( Hebrews ).Original edition from my own archivesSource : Bilder-Atlas - Ikonographische Encyklopädie 1870 drawing of a mesopotamia stock illustrations
Israeli Ethnicity hebrew people in ancient times People of Hebrew on the left - old jewish carriageThe modern English word "Hebrew" is derived from Old French Ebrau, via Latin from the Greek and Aramaic all ultimately derived from Biblical Hebrew Ivri one of several names for the Israelite ( Jewish and Samaritan ) people ( Hebrews ).Original edition from my own archivesSource : Bilder-Atlas - Ikonographische Encyklopädie 1870 drawing of a mesopotamia stock illustrations

People of Hebrew on the left - old jewish carriageThe modern English word "Hebrew" is derived from Old French Ebrau, via Latin from the Greek and Aramaic all ultimately derived from Biblical Hebrew Ivri one of several names for the Israelite ( Jewish and Samaritan ) people ( Hebrews ).Original edition from my own archivesSource : Bilder-Atlas - Ikonographische Encyklopädie 1870

Architecture of Mesopotamia, wood engravings, published in 1893 Architecture of Mesopotamia: 1) Assyrian warriors on horseback; 2) Assyrian warriors with chariots; 3) Lion hunt; 4) Bull hunting; 5) Siege of a city; 6) Conquest of a fortress, deportation of the prisoners; 7) Assyrian king Sardanapalus in his chariot; 8) Activities at sea; 9) Assyrian king Ashurbanipal (reig. 668-626 BC) and his queen in his royal garden (Nineveh, Iraq); 10) Victoriously returning Assyrian king; 11) Horse head (Nineveh); 12) Bronze lion (Nineveh); 13) Blessing genius (winged man, Nineveh); 14) Sargon II (right) and a dignitary. Sargon II's palace at Dur-Sharrukin, c. 716 - 713 BC, bas-relief, exhibited at the Louvre; 15) cylinder with cuneiform scripts; 16) Shalmaneser III (reign. 860 BC - 825) and Israel (black limestone obelisk, 841 BC, Nimrud); 17) Mosaic ornament; 18) Visual reconstruction of the northern part of the palace of Dur Sharrukin (Khorsabad, Iraq). Wood engravings, published in 1893. drawing of a mesopotamia stock illustrations
Architecture of Mesopotamia, wood engravings, published in 1893 Architecture of Mesopotamia: 1) Assyrian warriors on horseback; 2) Assyrian warriors with chariots; 3) Lion hunt; 4) Bull hunting; 5) Siege of a city; 6) Conquest of a fortress, deportation of the prisoners; 7) Assyrian king Sardanapalus in his chariot; 8) Activities at sea; 9) Assyrian king Ashurbanipal (reig. 668-626 BC) and his queen in his royal garden (Nineveh, Iraq); 10) Victoriously returning Assyrian king; 11) Horse head (Nineveh); 12) Bronze lion (Nineveh); 13) Blessing genius (winged man, Nineveh); 14) Sargon II (right) and a dignitary. Sargon II's palace at Dur-Sharrukin, c. 716 - 713 BC, bas-relief, exhibited at the Louvre; 15) cylinder with cuneiform scripts; 16) Shalmaneser III (reign. 860 BC - 825) and Israel (black limestone obelisk, 841 BC, Nimrud); 17) Mosaic ornament; 18) Visual reconstruction of the northern part of the palace of Dur Sharrukin (Khorsabad, Iraq). Wood engravings, published in 1893. drawing of a mesopotamia stock illustrations

Architecture of Mesopotamia: 1) Assyrian warriors on horseback; 2) Assyrian warriors with chariots; 3) Lion hunt; 4) Bull hunting; 5) Siege of a city; 6) Conquest of a fortress, deportation of the prisoners; 7) Assyrian king Sardanapalus in his chariot; 8) Activities at sea; 9) Assyrian king Ashurbanipal (reig. 668-626 BC) and his queen in his royal garden (Nineveh, Iraq); 10) Victoriously returning Assyrian king; 11) Horse head (Nineveh); 12) Bronze lion (Nineveh); 13) Blessing genius (winged man, Nineveh); 14) Sargon II (right) and a dignitary. Sargon II's palace at Dur-Sharrukin, c. 716 - 713 BC, bas-relief, exhibited at the Louvre; 15) cylinder with cuneiform scripts; 16) Shalmaneser III (reign. 860 BC - 825) and Israel (black limestone obelisk, 841 BC, Nimrud); 17) Mosaic ornament; 18) Visual reconstruction of the northern part of the palace of Dur Sharrukin (Khorsabad, Iraq). Wood engravings, published in 1893.

UNESCO World Heritage Site : 19th-century engraving depicting the ruins of ancient Palmyra (also spelled Palmira or Tadmor). This is a 19th-century engraving depicting the ruins of ancient Palmyra (also spelled Palmira or Tadmor), an UNESCO World Heritage site in the Syrian desert northeast of Damascus. The caption reads: "Palmyra, near View of a Portion of the Ruins." ► The illustration shows a dramatic, romanticized view of the site's classical architecture in decay, focusing on what appears to be the Monumental Arch (also known as the Arch of Triumph or Arch of Septimius Severus), built in the late 2nd to early 3rd century CE during the Roman Empire.  This ornamental triple archway stood at a bend in Palmyra's Great Colonnade, the city's main thoroughfare lined with over 1,000 Corinthian columns. ► Palmyra was a wealthy caravan oasis blending Greco-Roman, Persian, and local Aramaic influences, flourishing as a trade hub between the Mediterranean and Mesopotamia. ► Tragically, the real Monumental Arch was deliberately destroyed in October 2015, leaving only fragments. ►This historical print now serves as a valuable record of what was lost, alongside earlier engravings. ► VINTAGE ETCHING circa mid 19th Century. Digital restoration by pictore. Authentic illustration free of AI drawing of a mesopotamia stock illustrations
UNESCO World Heritage Site : 19th-century engraving depicting the ruins of ancient Palmyra (also spelled Palmira or Tadmor). This is a 19th-century engraving depicting the ruins of ancient Palmyra (also spelled Palmira or Tadmor), an UNESCO World Heritage site in the Syrian desert northeast of Damascus. The caption reads: "Palmyra, near View of a Portion of the Ruins." ► The illustration shows a dramatic, romanticized view of the site's classical architecture in decay, focusing on what appears to be the Monumental Arch (also known as the Arch of Triumph or Arch of Septimius Severus), built in the late 2nd to early 3rd century CE during the Roman Empire. This ornamental triple archway stood at a bend in Palmyra's Great Colonnade, the city's main thoroughfare lined with over 1,000 Corinthian columns. ► Palmyra was a wealthy caravan oasis blending Greco-Roman, Persian, and local Aramaic influences, flourishing as a trade hub between the Mediterranean and Mesopotamia. ► Tragically, the real Monumental Arch was deliberately destroyed in October 2015, leaving only fragments. ►This historical print now serves as a valuable record of what was lost, alongside earlier engravings. ► VINTAGE ETCHING circa mid 19th Century. Digital restoration by pictore. Authentic illustration free of AI drawing of a mesopotamia stock illustrations

This is a 19th-century engraving depicting the ruins of ancient Palmyra (also spelled Palmira or Tadmor), an UNESCO World Heritage site in the Syrian desert northeast of Damascus. The caption reads: "Palmyra, near View of a Portion of the Ruins." ► The illustration shows a dramatic, romanticized view of the site's classical architecture in decay, focusing on what appears to be the Monumental Arch (also known as the Arch of Triumph or Arch of Septimius Severus), built in the late 2nd to early 3rd century CE during the Roman Empire. This ornamental triple archway stood at a bend in Palmyra's Great Colonnade, the city's main thoroughfare lined with over 1,000 Corinthian columns. ► Palmyra was a wealthy caravan oasis blending Greco-Roman, Persian, and local Aramaic influences, flourishing as a trade hub between the Mediterranean and Mesopotamia. ► Tragically, the real Monumental Arch was deliberately destroyed in October 2015, leaving only fragments. ►This historical print now serves as a valuable record of what was lost, alongside earlier engravings. ► VINTAGE ETCHING circa mid 19th Century. Digital restoration by pictore. Authentic illustration free of AI

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