145 Drawing Of Harem Illustrations

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Inner courtyard of an Indian harem, facsimile (chromolithograph), published 1888 Inner courtyard of an Indian harem. It depicts Zuleika - Potiphar's wife in Indian legend - introducing Joseph to her fellow women who are busy peeling oranges. Their expressions and movements reflect their astonishment at the beauty of the Israelite slave. One of the women drops her knife in surprise. Facsimile (chromolithograph) after an Indian-Perich miniature painting douring the Mughal period from the book "Le Costume Historique (Historical Costume)", published by Albert Charles Auguste Racinet, Libraire Firmin-Didot et Cie, Paris, in 1888. drawing of harem stock illustrations
Inner courtyard of an Indian harem, facsimile (chromolithograph), published 1888 Inner courtyard of an Indian harem. It depicts Zuleika - Potiphar's wife in Indian legend - introducing Joseph to her fellow women who are busy peeling oranges. Their expressions and movements reflect their astonishment at the beauty of the Israelite slave. One of the women drops her knife in surprise. Facsimile (chromolithograph) after an Indian-Perich miniature painting douring the Mughal period from the book "Le Costume Historique (Historical Costume)", published by Albert Charles Auguste Racinet, Libraire Firmin-Didot et Cie, Paris, in 1888. drawing of harem stock illustrations

Inner courtyard of an Indian harem. It depicts Zuleika - Potiphar's wife in Indian legend - introducing Joseph to her fellow women who are busy peeling oranges. Their expressions and movements reflect their astonishment at the beauty of the Israelite slave. One of the women drops her knife in surprise. Facsimile (chromolithograph) after an Indian-Perich miniature painting douring the Mughal period from the book "Le Costume Historique (Historical Costume)", published by Albert Charles Auguste Racinet, Libraire Firmin-Didot et Cie, Paris, in 1888.

Hall of Ambassadors, Nasrid Palaces, Alhambra, Granada, Spain, chromolithograph, 1888 Hall of Ambassadors and three of the nine adjacent rooms - interior view from the Nasrid Palaces, Alhambra, Granada, Spain. The women depicted are fictitious and illustrate the proportions. The Alhambra is considered one of the most important examples of the Moorish style of Islamic art. It is one of the most visited tourist attractions in Europe and has been a UNESCO World Heritage Site since 1984. Chromolithograph based on a watercolor by Stephan Baron from the book "Le Costume Historique (Historical Costume)", published by Albert Charles Auguste Racinet, Libraire Firmin-Didot et Cie, Paris, in 1888. drawing of harem stock illustrations
Hall of Ambassadors, Nasrid Palaces, Alhambra, Granada, Spain, chromolithograph, 1888 Hall of Ambassadors and three of the nine adjacent rooms - interior view from the Nasrid Palaces, Alhambra, Granada, Spain. The women depicted are fictitious and illustrate the proportions. The Alhambra is considered one of the most important examples of the Moorish style of Islamic art. It is one of the most visited tourist attractions in Europe and has been a UNESCO World Heritage Site since 1984. Chromolithograph based on a watercolor by Stephan Baron from the book "Le Costume Historique (Historical Costume)", published by Albert Charles Auguste Racinet, Libraire Firmin-Didot et Cie, Paris, in 1888. drawing of harem stock illustrations

Hall of Ambassadors and three of the nine adjacent rooms - interior view from the Nasrid Palaces, Alhambra, Granada, Spain. The women depicted are fictitious and illustrate the proportions. The Alhambra is considered one of the most important examples of the Moorish style of Islamic art. It is one of the most visited tourist attractions in Europe and has been a UNESCO World Heritage Site since 1984. Chromolithograph based on a watercolor by Stephan Baron from the book "Le Costume Historique (Historical Costume)", published by Albert Charles Auguste Racinet, Libraire Firmin-Didot et Cie, Paris, in 1888.

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